What Camera Takes The Best Pictures

What Camera Takes The Best Pictures – The Five Best Digital Cameras for Film Camera Lovers https://i0.wp.com//wp-content/uploads/2019/09/fuji-x100-ff-1-of-1.jpg?fit=2800% 2C1575&ssl =1 2800 1575 James Tocchio James Tocchio https://i0.wp.com//wp-content/uploads/2020/01/james-square.jpg?fit=96%2C96&ssl=1 September 2, 2019 June 14, 2021

At Casual Photophile, we love film cameras for many reasons; Mainly its historical importance, world-class image creation capabilities and low cost compared to its digital counterparts. But I think most writers here appreciate and maybe even prefer film cameras for one very specific reason – they feel incredible. Film cameras were a creation when physical mechanisms drove the world, and it is rare to find haptic joy in the modern age where consumer goods are often considered disposable or at least replaceable.

What Camera Takes The Best Pictures

What Camera Takes The Best Pictures

All that being said, it cannot be denied that we also love certain digital cameras. Although many digital cameras seem empty and, as stated, used, there are some of the truly phenomenal digital cameras that not only take amazing pictures, but also feel like the classic mechanical cameras that we love so much. It’s also hard to argue against the speed and efficiency of the digital workflow (there’s a reason all product shots here and in camera shops are made with digital machines, after all).

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The writer and I decided to sit down and think about the five digital cameras on sale today that are the best for those of us who love film cameras. Here again.

When the original Fujifilm X100 debuted at Photokina in late 2010, it made a massive splash. In an early 2011 write-up, DPReview described the X100 as “… a firm favorite in the DPReview office.” It added that its “handsome looks and excellent build make it a camera that begs you to pick it up and take it with you,” and went on to describe the image quality of the 12.3 MP APS-C size CMOS sensor as “. . . nothing less than handsome.”

The original X100 and subsequent models in the series are great cameras for movie lovers because they are all characterized by some very “film camera-like” features. They all look and handle just like the classic compact or rangefinder cameras that street photographers who shoot film (think Canon’s Canon or even Leica’s M series) want. They have a traditional optical viewfinder (with a dedicated hybrid electronic viewfinder system), have classic physical controls for shutter speed, aperture and more, just like the film cameras of yesteryear, and all have some sort of “film simulation” mode. which produces the classic Fujifilm emulsion look.

Since the release of the original X100 (actually called FinePix X100 – all cameras later dropped the FinePix nomenclature) Fuji has released three additional X100 models. The X100S refined its user interface and ergonomics while replacing the X100’s original 12.3MP CMOS sensor with a 16.3MP Fuji X-Trans CMOS II. The third model, the X100T, retains the sensor, lens and core functionality of the previous model, but improves upon the X100S in additional ways. The most interesting for movie lovers may be the addition of “Classic Chrome” movie simulation.

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The fourth and final X100 is the X100F. The camera is the most advanced X100, packing a 24MP X-Trans CMOS III sensor into the compact X100 series body, as well as introducing a new stream of improvements. These include a new image processor, a built-in ISO dial (a friendly addition for film camera enthusiasts), a larger battery, an improved 91-point autofocus system, an electronic viewfinder refresh rate of 60 frames per second and Fuji Acros film Simulation. mode. This latest addition is particularly interesting as Fujifilm stopped production of Acros film last year, and recently announced plans to introduce new Acros film after hearing public outcry from film photographers.

X100F has received many awards in the photography press, and has succeeded in convincing the world that the X100 is a true professional photographer’s camera.

Which X100 camera should you buy? Well, the thing about the Fuji X100 series is that every model in the series is really good. My advice is to decide your budget first and then buy the latest X100 you can afford. Even though the original X100 has a 12.3MP sensor, you’re getting an incredible machine that will take amazing pictures. Anything more than that is just a bonus.

What Camera Takes The Best Pictures

At around $1,200, the X100F is one of the more expensive cameras on this list. But for those of us who want to save money, the original X100 can be bought on eBay for a very low price – around $300.

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The Ricoh GRIII is the obvious choice for film shooters whose preferred film camera is a compact point-and-shoot. It’s a powerful digital stand-in for premium point-and-shoots from Contax, or the most popular compact cameras from Olympus and Yashica. And of course the Ricoh GRIII digital camera is perfect for anyone who lives and dies by the previous Ricoh GR1 film camera.

We wrote about the reasons why the GR1 series of film cameras is the pinnacle of excellence in our article earlier this year, and many of the core superlatives that characterize these film machines have been transferred to their counterparts in the digital GR series. . In a video review of the new GRIII, Kai Wong called the Ricoh GRII one of his “…favorite cameras of all time,” and went on to describe the GRIII as “..something really good.”

Kai is not wrong. The Ricoh GRIII was released just a few months ago and offers everything you would expect from a brand new, world-class digital compact, while retaining the core concept that has made the GR series of cameras loved by color photographers and snap shooters. For decades. It’s incredibly small and well-made, has one of the best 28mm (equal) lenses in the world of photography, has in-body image stabilization, good high ISO capabilities and a very fast start-up time for taking snapshots in the Moment. News.

It’s a great camera for those of us who love compact film cameras because it offers all of the above and countless modern conveniences, it’s really just like the compact film machines we love. It’s a “point-and-shoot”, without sacrificing anything in terms of image quality or technology. Oh, and it also has some really cool movie simulation modes, if you’re into it (and we are).

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At $899, it’s the most expensive new camera on this list. For what the GRIII has to offer, it’s impressive.

Friend of the site and former president of Pentax USA, Ned Bunnell has been shooting the GRIII since its release earlier this year and has been posting pictures and experiences with the new camera on Instagram. He also posted a collection of film simulation images created with the camera, which can be viewed via the hashtags #NedsGR3bw

I will admit that some of the appeal of classic film cameras, for me, is just how gorgeous the old machines look. There is something about the proportions, something about the finish of satin metal to distinguish it from black or brown leather or vulcanite; A film camera is a wonderful object. It’s especially intoxicating when this gorgeous machine is also a capable image-making device. Which brings us to the third option, and it comes from the legendary camera manufacturer – Olympus.

What Camera Takes The Best Pictures

Olympus is celebrating its centennial this year, and as it has done for the past several hundred years, it seems that Olympus likes to go about its business quietly making amazing cameras and lenses. Without much fanfare or marketing hullabaloo, Olympus recently released a stunning digital compact in the form of the Pen-F Digital.

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Like its film predecessors, the Pen-F Digital is very small. The Maitani-designed Pen F film camera is a half-frame camera, while the latest digital Pen-F is a micro 4/3rd machine. This makes it suitable for travelers and lifestyle shooters, or for event photographers looking for a pocket camera for candids.

Like previous Olympus designs, the Pen-F Digital has oversized dials and buttons and switches for all of photography’s most important controls. A large mechanical dial can be clicked in a directed fashion, controlling exposure compensation, shooting mode, aperture, shutter speed, and more. And it feels dense and solid while never feeling heavy or clunky. Put the Digital F-Pen in the hands of a film photographer and they will feel at ease.

The small camera is packed full of amazing features – 20MP sensor (with 50MP high-res shooting mode), five-axis image stabilization, 10 FPS sequential shooting mode, incredible electronic OLED viewfinder, 81-point autofocus, and.. . tilty-flippy screen. If you can’t take a shot with the Pen-F, it’s probably not the camera’s fault.

Interchangeable lenses from Olympus’ famous Zoiko line complete an imaging ecosystem that can compete with larger (and more expensive) cameras. When looking at the images that Olympus’ 4/3rd micro cameras are capable of, it becomes clear that the less celebrated brand is still a powerhouse in optics – they’ve been doing it for a hundred years. Oh, and the digital F-Pen

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